So the
main idea behind this shoot is to add abstraction between texture and
architexture. The
project
will be loosely based on Colburns early work with vortographs because
of the opics used to
make the
initial images. Other than that there will be little influence of his
work in this project. The strongest images to the viewer will be the most abstracted from reality, so my concept is removal from reality. Since all the images will be of architexture there will be key shapes to focus on to help bring the project from reality to a more dreamlike, lucid, state. It would be hard to discribe what a viewer would see since it isn't a concrete item I will be photographing. So a lot of the viewer's ideas of what it could be would be projection. These images will be geometric and breakdown into the basic elements of design, while trying to keep the dream like concept in shape. Keeping a smaller square format will also keep it to being a quite and more elegant in design. The small size would also make it so to truly see the images one would have to go up closer to them, and the closeness makes it more personal for the dreamlike state the images appear to be in. The images even since they don't have a spoonfed story, because honestly if something was spoon fed that is like this project it wouldn't be nearly as interesting. The images should have a painterly feel and not feel like they are an actual photograph. For me, the images come off as a bit of a motion dream, where one has to go somewhere but they aren't sure where the destionation might be. The images hopefully will envoke a bit of serenity into the viewer with the mostly deep blues for a color connection for the viewer, also the blue is a symbol of sleep. The main techniques used will be to use a fast mid length telephoto lens to compress and give a tack sharp focus point that can drop other details out of focus. The speed of the lens will also allow me to use an ultra fast shutter at a very low “Iso” to make sure there isn't any motion blur most of the shutter speeds used will be roughly over 1/1,000
th of a second or faster in broad daylight. On more cloudy days it will be a bit different but the thought process is the same since the effect won't work as well beyond 1/500
th of a second.
So the
main idea behind this shoot is to add abstraction between texture and
architexture. The
project
will be loosely based on Colburns early work with vortographs because
of the opics used to make the
initial images. Other than that there will be little influence of his
work in this project. The strongest images to the viewer will be the most abstracted from reality, so my concept is removal from reality. Since all the images will be of architexture there will be key shapes to focus on to help bring the project from reality to a more dreamlike, lucid, state. It would be hard to discribe what a viewer would see since it isn't a concrete item I will be photographing. So a lot of the viewer's ideas of what it could be would be projection. These images will be geometric and breakdown into the basic elements of design, while trying to keep the dream like concept in shape. Keeping a smaller square format will also keep it to being a quite and more elegant in design. The small size would also make it so to truly see the images one would have to go up closer to them, and the closeness makes it more personal for the dreamlike state the images appear to be in. The images even since they don't have a spoonfed story, because honestly if something was spoon fed that is like this project it wouldn't be nearly as interesting. The images should have a painterly feel and not feel like they are an actual photograph. For me, the images come off as a bit of a motion dream, where one has to go somewhere but they aren't sure where the destionation might be. The images hopefully will envoke a bit of serenity into the viewer with the mostly deep blues for a color connection for the viewer, also the blue is a symbol of sleep. The main techniques used will be to use a fast mid length telephoto lens to compress and give a tack sharp focus point that can drop other details out of focus. The speed of the lens will also allow me to use an ultra fast shutter at a very low “Iso” to make sure there isn't any motion blur most of the shutter speeds used will be roughly over 1/1,000th of a second or faster in broad daylight. On more cloudy days it will be a bit different but the thought process is the same since the effect won't work as well beyond 1/500th of a second.
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